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Comparisons
If you have never owned the item you're looking to purchase, you may
not know what to look for. Find out before buying. Having a sample photo
of an authentic item in front of you for comparison is a good idea. Even
so, you do not get all of the information you need from photos. For
example, you cannot touch or smell the item, which is no small part of
authentication. Sometimes, only the designer's factory can authenticate
an item, due to age or unusual characteristics. Before buying or bidding,
ask as many questions up front as you need. Don't judge authenticity
just from straps. Why? Because a real strap can easily be
placed on a fake bag.
The authentication process is a delicate balance between art and science.
My tools of the trade include: reference views of the authentic item;
PhotoShop, an image-enhancing program that can enlarge and adjust the
contrast of computer images; an LCD flashlight such as the one pictured
here (if the LV item is in my possession); a magnifying glass and a
measuring tape.
After taking in the overall item for neatness and condition, find at
least four detailed areas on which to concentrate your efforts. The first
should be to determine if there is symmetry in the design. Train your
eyes to always look for this first. Does it appear to be well made or
sloppy, lopsided and cheap? Sometimes authenticating involves counting
the number and placement of the symbols, and type and placement of the
straps, handles, protective feet, pockets and zippers. If this is not
applicable, move on to other areas.
If the item is Monogram canvas, select two areas of canvas encompassing
at least 12 symbols. Compare to your sample to ensure the symbols are
properly aligned. Check the hardware to be certain it is the right style.
Check the interior to be sure the lining is correct and that it has no
patches that do not belong. Check as many angles of the item as possible
for alignment study and always check closed zippers for neat stitching
and symmetry in the surrounding symbols.
Pay close attention to the shading and number of holes or stitches used
in a particular area of the item, if you can. Take the zipper grip of
a Monogram canvas Pochette Accessories, for example. There are seven
stitch holes from left to right on the widest part and six holes from
top to bottom. Another example is the Monogram canvas Noé. The
number of holes running across the bottom of the leather support strap
should be five.
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