Holograms Tell Fake
From Fendi ---
As Knock-Offs Get Better,
Makers of Luxury Goods Reach
for High-Tech Defense
By Christina Passariello
22 February 2006
The
Wall Street Journal
(Copyright (c) 2006, Dow Jones & Company,
Inc. ALL RIGHTS RESERVED.)
ALLIGATOR SKIN, GOLD zippers and
straight stitching used to set
apart a bona fide Fendi bag from
a knock-off. But with the quality
of fake luxury goods rising,
Fendi is adding another touch:
holograms.
The Italian fashion
house, a unit of LVMH Moet Hennessy
Louis Vuitton, the world's largest
luxury-goods group, has been gradually
stitching holograms into the lining
of its handbags, boots, suits,
scarves and even mink coats costing
tens of thousands of dollars.
The rectangular,
colored stamps, with encrypted
codes visible only with a special
magnifying device, are designed
to help police and customs officials
quickly identify whether a Fendi-branded
bag is authentic. The holograms
also have a wireless tracking device
that allows Fendi to monitor whether
a genuine product has slipped out
of the company's tightly controlled
distribution networks, or whether
it's being sold in an unauthorized
store. (The tags are deactivated
when an item is sold.)
"The best way to
fight [counterfeiting] is to stay
ahead" of the counterfeiters, says
Michael Burke, chief executive
of Fendi, whose black-and-brown
logo with two mirroring F's is
one of the most copied labels in
the world. "We want the certainty
to quickly determine whether [an
item is] fake."
Fendi isn't the only
luxury-goods company using holograms,
though the fashion industry doesn't
like to discuss it. Gucci Group
-- which owns the Gucci, Yves Saint
Laurent and Bottega Veneta labels
-- confirms that it uses similar
technology. Companies are skittish
about discussing their latest antitheft
technology, since they've already
seen signs that counterfeiters
are copying them.
Holograms have been
used for years to ensure authenticity
of consumer goods, from tennis
rackets to concert tickets. But
luxury-goods firms have always
believed that their innovative
designs and careful craftsmanship
were enough to distinguish exclusive
wares from fakes.
That's changing.
Over the past few years, as counterfeiters
have become more sophisticated,
the quality of their products have
improved. Today, many fake handbags
are made of good leather, packaged
elaborately and sold (usually unwittingly)
in high-end accessories stores.
French fashion house Louis Vuitton,
also a unit of LVMH, acknowledges
that copies of its handbags are
sometimes so good that consumers
realize they're fake only when
they take them into the company's
boutiques for repairs.
In addition to holograms,
some luxury-goods firms are experimenting
with infra-red and ultraviolet
inks that can be applied directly
to products. The ink is invisible
but can but can be seen under a
particular reader; if police or
customs officials don't see the
tell-tale ink, it's a fake.
Security experts
say holograms are difficult, and
expensive, to copy. Holograms are
made with heavy, expensive machines
that create patterns using laser
beams. The holograms often include
bar codes, images or numbers that
are visible only under a special
forensic machine.
It costs 15,000 euros,
or about $18,000, to create a hologram's
encrypted image plus a few cents
for each copy tagged onto products.
For fashion houses, that represents "one
euro out of a thousand, but for
[counterfeiters] it's one euro
out of 10," says Marc-Antoine Jamet,
who is general secretary of LVMH
and serves as the head of France's
Union des Fabricants, which lobbies
for anticounterfeiting measures.
Still, even luxury-goods
executives admit holograms aren't
fool-proof. "Holograms are better
than nothing, but they are already
being copied," says Claudio di
Sabato, head of security at Italian
fashion house Prada Group NV.
Indeed, police in
Naples said they recently uncovered
a warehouse with photocopiers used
to create fake holograms -- with
the basic design but without the
deep colors and multidimensional
images -- for counterfeit handbags.
And a Fendi saleswoman recently
said she had already seen a bogus
Fendi handbag complete with a hologram.
It's also unclear
what effect the holograms will
have on consumers. Most women who
buy from carts on New York City's
Canal Street and roadside stalls
around the world know they're buying
a knock-off -- and don't care.
For customers who
do care, luxury-goods experts say
the holograms should allow consumers
who buy from secondary retailers
or from used-goods stores in the
hopes of getting a good deal, to
know whether the product is authentic.
But "if the consumer doesn't know
how the product or hologram should
look, they will be fooled," says
Angie Houston, who operates a Web
site, mypoupette.com,
to educate consumers about how
to find real Louis Vuitton products.
"I wouldn't ever
base my purchase on a hologram," says
Ashley Bates, a 35-year-old graphic
designer in Boca Raton, Fla.
Still, Fendi hopes
that the added complexity of its
holograms and the fact that customs
officials and police can smoke
out fakes more efficiently will
provide an extra deterrent against
counterfeiting. The technology
is considered so valuable at Fendi
that only two people at the company
know the codes behind the encrypted
holograms.